Vesna V.: “‘Chance’ Encounters of Art and Science and Self-Organized Criticality” in Artists and Practice, Bloomsbury Encyclopedia of New Media Art, ed. Paul Thomas. London: Bloomsbury. Source.
Vesna V.: “Feminist Climate Change: Beyond the Binary and Across General” in Transdiscourse 3: Women in Art, Science and Body Politics, ed. Jill Scott. pp 111-122. De Gruyter. Source. PDF.
Nacher A., Vesna V.: “Transperceptive Listening: Sonic Meditations for a Pluriverse” in Situated Listening: Attending to the Unheard, ed. Loveless, Rennie, Søndergaard, Zinovieff. Routledge. Source.
Vesna V.: “Atmosphere of Sound” Source.
Vikram V., Vesna V.: “Atmosphere of Sound: Sonic Arts in Times of Climate Disruption” in Pacific Standard Time: Art + Science Collide Getty Foundation. Source. PDF.
Vesna V.: “[Alien] Star Dust: Signal To Noise (Artist Book)” Source.
Gimzewski J., Vesna V.: “NANO: Bottom up and in Between” in Doors to Hidden Worlds, ed. Alfred Vendl, Martina R. Fröschl. pp 253-267. De Gruyter. Source.
Levy E. K.: “From Forces to Forms (Catalog)” Pratt. PDF.
Beckenstein J.: “Beyond the Art/Science Duality: A Conversation with Ellen K. Levy” in Sculpture magazine, December issue Source. PDF.
Corwin W.: “From Forces to Forms” in Brooklyn Rail, April issue Source. PDF.
Menezes M.: “Victoria Vesna | Noise Aquarium” in Alter(acción)2.0, ed. Junta de Extremadura. pp 107-117. Badajoz, Spain. Source.
“Noise Aquarium” in Our Time On Earth (Catalog), ed. Chloe Wood. pp 136-140. Barbican, London. Source.
Ramakrishnan S., Vesna V.: “Hox Zodiac: spinning the wheel of interspecies collaboration” in Art as Social Practice: Technologies for Change, ed. Xtine Burough, Judy Walgren. pp 10, 268–279. Routledge. Source.
Vesna V.: “NOISE AQUARIUM: Iterations, Variations and Responsive Ecotistical Work” in Plastic Ocean: Art and Science Responses to Marine Pollution (Edition Angewandte), ed. Ingeborg Reichle. pp 156–175. De Gruyter. Source. PDF.
“Cosmos and Chaos” pp 62-63. Cyfest International Media Art Festival, St. Petersbourg, Russia .
“Ars Electronica Futurelab” pp 86-87. Hatje Kantz.
Gsollpointner K.: “Empathie und das Digitale” pp 22-24. Springerin, Vienna. Source. PDF.
Albu C.: “Planetary Re-Enchantment: Human-Animal Entanglements in Victoria Vesna’s Octopus Brainstorming” in Comparative Media Arts Journal, Issue 10 Simon Fraser University. Source. PDF.
McGarvey E.: “Ghosts in the Machine: Bodies INCorporated” in (detail) Volume 7, Number 2: Cyberisms: Voice, Identity & Communication in the Virtual Realm , ed. Christine Laffer. pp 8-12. (detail) – South Bay Area Women’s Caucus for Art, CA.
Nacher A., Vesna V.: “Diving Deep into the Blue Planet, Flying High into the Cosmos” in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, ed. Ryszard W. Kluszczynski. pp 172-237. Lodz University Press. Source. PDF.
Levy E.K.: “Nature: New Contexts, New Art by Women” in Woman’s Art Journal, Fall / Winter, volume 41, number 2 pp 2-16. Source.
Skladanek M.: “Data Visualization in Victoria Vesna’s Creative Practice” in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, ed. Ryszard Kluszczynski. pp 144-171. Lodz University press. Source. PDF.
Farago C.: “Artists Compelling Action on Climate Degradation: How to think like Victoria Vesna and Leonardo da Vinci” in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, ed. Ryszard Kluszczynski. pp 106-143. Lodz University press. Source. PDF.
Antonia M., Gonzalez V.: “Animal Encounters” in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, ed. Ryszard Kluszczynski. pp 28-65. Lodz University press. Source. PDF.
Kluszczynski R.: “Looking at the World through the Eyes of the Other? Art and Anthropocentric Ecology” in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, ed. Ryszard Kluszczynski. pp 7-27. Lodz University press. Source. PDF.
Kluszczynski R.: “Art and the Challenges of the Anthropocene” in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, ed. Ryszard Kluszczynski. pp 238-279. Lodz University press. Source. PDF.
Markiewicz M.: “Re-Connecting Art and Science. In conversation with Victoria Vesna” in Re-Connecting Art and Science. In conversation with Victoria Vesna Contemporary Lynx online magazine / reprinted Arts & Médias. September 23. Source.
Denegri D.: “Interview | Victoria Vesna” Arshake. April 6. Source.
“Towards a Non-Anthropocentric Ecology” Source.
Vesna V.: “NOISE AQUARIUM” in Leonardo, Vol. 52, No. 4 pp Cover, 397, 408-409. MIT Press. Source.
Connor M.: “The Art Happens Here: Net Art Anthology” in The Art Happens Here: Net Art Anthology pp 115-117. Rhizome. Source.
Schnugg C.: “Creating ArtScience Collaboration: Bringing Value to Organizations” , ed. Samantha Warren, Steven S. Taylor. pp 83, 85, 125–128, 157, 210. Palgrave Studies in Business, Arts and Humanities. Source. PDF.
Sauret J.: “Interview, École Polytechnique, “Dust a microworld” / Useful Fictions” Chaire Arts_Sciences . October 9. Source.
Kneubühler A.: “Der vibrierende Sound der Bienen im Schopf auf dem Hochmoor” in Der vibrierende Sound der Bienen im Schopf auf dem Hochmoor Aargauer Zeitung. Septermber 2. Source.
BEGIĆ V.: “FOTO / Izložba Victorie Vesne otvorena u Povijesnom i pomorskom muzeju Istre: Umjetnički i znanstveno o zagađenju mora – bukom” Glas Istre. August 28. Source.
Blatt U.: “Wo Plankton un Hilfe schreit” August 27.
“I buka zagađuje mora i oceane: otvorenje izložbe NOISE AQUARIUM u Puli” aMORE Festival. August 22. Source.
Singh G.: “Making the Invisible Visible.” IEEE Computer Graphics and Applications . July/August. Source.
“Victoria Vesna: Inviting Meaningful Organic Art–Science Collaboration” IEEE Computer Graphics and Applications. July/August. Source.
Senen M.: “Interview, Conversations at SIGGRAPH” SIGGRAPH . July 31. Source.
Clarke C.: “MoMA’s Doc Fortnight — An artful extension of documentary storytelling” documentary culture . March 20. Source.
Brumley J., Ikegami T., Iwata H., Suzuki R., Taylor C., Vesna V.: “Bird Song Diamond in Deep Space 8K” in AI & Society, Vol 35. No.3 pp 87–101. Springer Verlag. Source. PDF.
Schnugg C.A.: “Blockchain and Bodies© Incorporated: Media Arts Screening Economic Innovation 2.0” in Screening Economies: Money Matters and the Ethics of Representation, ed. D. Cuonz, J. Metelmann, S. Loren . pp 31-46. Transcript. Source. PDF.
Crowther P.: “Digital Art, Aesthetic Creation: The Birth of a Medium” in Digital Art, Aesthetic Creation: The Birth of a Medium pp 164–168, 169. Routledge. Source.
Pinto C.: “Oxygen, don’t take it for granted!” TNAF ’18. October 6. Source.
“West Windsor Arts Council presents STEAM Series: [sin ‘Thedik] Landscape” NJ Stage. October. Source.
“‘They are cloning people already” Interview” September 19.
Kramer A.: “PASEO sound experience: cutting edge audio and visual artists connect with aspiring locals” Taos News. September 14. Source.
Sick-Leitner M.: “Diving into Deep Space with Noise Aquarium” Ars Electronica blog. August 27. Source.
“FutureFest Forward: AI and Creativity Futures” NESTA. August 14. Source.
Hebron M., Jao C.: “Artist-Mothers: Where to Find Them and Who Supports Them” in Artist-Mothers: Where to Find Them and Who Supports Them KCET cultural politics. April 18. Source.
Clark C.A.: “I Love Life: Celebrating Biodiversity Through Art And Science” in I Love Life: Celebrating Biodiversity Through Art And Science Los Alamos Daily Post. March 27. Source.
Familian D.: “It Passes like a Thought” Beall center for Art & Technology. March 3. Source.
““Birdsong Diamond” Taboo Transgression Transcendance in art & science conference proceedings” Ionian University Publications. Source.
“Decades: Speculum Artium 2018” pp 5. Speculum Artium. Source. PDF.
“A Future of Possibilities (Catalog)” pp 128-131. CairoTronica. PDF.
“Plastidemic” Source.
“Art and Science to Empower (Umetnost in Znanost za Opolnomočenje)” in Art and Science to Empower (Umetnost in Znanost za Opolnomočenje) pp 3. Speculum Artium. Source. PDF.
Vesna V.: “Anticipatory Art Science: Networks to NanoSystems” in The Practice of Art and Science, ed. Socker, G, Hirsch, A. Jutta S.. pp 94-105. Ars Electronica. Source. PDF.
Schnugg C., Vesna V.: “Media Art in the Context of Art, Science and the Market: A Historical Perspective” in Arts and Business: Building a Common Ground for Understanding Society, ed. Elena Raviola, Peter Zackariasson. pp 28–38. Routledge. Source.
Hieslmair M.: “UCLA Making a Guest Appearance at Ars Electronica Festival” Ars Electronica blog. June 29. Source.
Graf V.: “Feminism and Climate Change: UCLA at the 2017 Ars Electronica Festival” Ars Electronica blog. September 5. Source.
“FEMINIST CLIMATE CHANGE: Beyond the Binary” in Artificial Intelligence Das andere Ich: Ars Electronica 2017, ed. Gerfried Stocker, Christine Schöph, Hannes Leopoldseder. pp 190-202, 324, 399. Hatje Kantz. Source. PDF.
Gimzewski J., Stieg A., Vesna V.: “Self-Organization and Emergence of Dynamic Systems” in Handbook of Science and Technology Convergence, ed. Bainbridge W., Roco M.. pp 163-180. Springer, Cham. Source.
Ramahrisknan S., Vesna V.: “Games of Chance: Explorations into Our Animal Selves” in Handbook for Digital Games and Entertainment Technologies, ed. Ryohei Nakatsu, Matthias Rauterberg, Paolo Ciancarini. pp 777–804. Springer Singapore. Source. PDF.
Olynyk P., Vesna V.: “ART+BRAIN: Stories and Structures (Catalogue)” in UCLA Art|Sci Center + Lab UCLA. Source.
Vesna V.: “Victoria Vesna” in art is (speaking portraits), The Performance Ideas Series, ed. George Quasha. pp 78–79. PAJ Publications, New York, NY. Source.
Hieslmair M.: “The Essential Challenge of Interactive Art” Ars Electronica blog. March 11. Source.
Criado L.: “VICTORIA VESNA, understanding how humans interact with technologies” CLOT Magazine. June 22. Source.
“Cybernetics & Human Knowing: Volume 23, No.2” Source.
Familian D., Gimzewski J., Vesna V., Weintraub L.: “Morphonano: Works by Victoria Vesna a Decade of Collaboration 2002-2012 with Nanoscientist James Gimzewski” BEALL Center for Art + Technology . Source.
Weintraub L.: ““VICTORIA VESNA: From the Ridiculous to the Sublime.” From Familian, David. MORPHONANO: Works by Victoria Vesna – A Decade of Collaboration – 2002 – 2012 with Nanoscientist James Gimzewski” pp 15-21. Beall center for Art & Technology. Source.
Cerni M.G.: “Live Experiment Explores How Brainwaves React to Music and Color” Insomniac Events. Janurary 20. Source.
Armitage D.: “Inventory of Light: The Art of System Biology and Nanoscience” pp 49. THE Magazine. May.
“Interview by Dobrila Denegri” Source.
“Retro/SPective” Source.
“Morphonano” Source.
Hope C., Ryan J.: “Digital Arts: An Introduction to New Media” in Digital Arts: An Introduction to New Media pp 31, 38, 225. Bloomsbury. Source. PDF.
Søndergaard M.: “BIO MEDIA ART: Aesthetic Paradigms in the Wet Zone” in Leonardo Electronic Almanac
Weintraub L.: “VICTORIA VESNA: From the Ridiculous to the Sublime” in VICTORIA VESNA: From the Ridiculous to the Sublime Beall center for Art & Technology. Source.
Segura P.: “Realizing the Third Culture” pp 35-37. Sci Art in America. February.
Luther C.: “Opposites Attract” pp 27-31. UCLA Magazine. April. Source.
Denegri D.: “Victoria Vesna. Pt. I” Arshake. April 3, 10, 24, 30. Source.
Rampuria I.: “‘Secret Life of Birds’ exhibit shows new view of human interaction” Daily Bruin. November 6. Source.
Goldman N.M.: “The Body in a Virtual World: ‘Body Practices’ Opens at UC San Diego’s Calit2 Gallery” SciArt in America. November 14. Source.
“Post-Humanist Desire (Catalogue)” , ed. Shih J.J. pp 44-47. MOCA Taipei, Taipei Culture Foundation. Source.
Vesna V.: “Blue Morph” in Art Line: A Baltic Collaboration, ed. Magdalena Mroz-Grygierowska, Torun Ekstrand. pp 104–107. Art Line. Source.
Doi I., Ikegami T., Maruyama N., Masumori A., Oka M., Taylor C., Vesna V.: “Evolution of Artificial Soundscape in a Natural Environment” in Exploiting synergies between biology and artificial life technologies: tools, possibilities, and examples at ALIFE 14 ALIFE 14. Source. PDF.
“Art + Brain” Source.
Luther C.: “Opposites Attract” in UCLA Magazine: April 2014 pp 26-31. PDF.
Claverie M.: “Interview: Victoria Vesna, entre sciences et art” in Les Cahiers de Centrale Marseille Alumni pp 7-9. L’Association des Ingénieurs de l’Ecole Centrale Marseille .
Muchnic S.: “Under the Microscope” in ARTNews Volume 112, Number 3 pp 70-75. Source. PDF.
Muchnic S.: “Under the Microscope” pp 70-74. Art News. March. PDF.
Gewin V.: “Interdisciplinarity: Artistic Merit” pp 537-539. Nature. April. PDF.
Gianotti R.: “More Than Science: Art | Sci Center + Lab” Science and the World. August 2. Source.
Claverie M.: “Interview: Victoria Vesna, entre sciences et art.” pp 7-10. Les Cahiers de Centrale Marseille Alumni. September.
Reid C.: “Santa Monica ferris wheel gets new look at Glow art event” Daily Bruin. September 27. Source.
Fruk L., Weibel P.: “Molecular Aesthetics” pp 184 – 187. ZKM, MIT Press. Source.
“Digital Media and Technologies for Virtual Artistic Spaces” , ed. Dew Harrison. IGI Global. Source.
Paul T.: “NanoArt: The Immateriality of Art” pp 4, 12, 19, 25, 70. Chicago Press. Source.
“BioTech + Art Honors Book” Source.
“Interview: Victoria Vesna, entra sciences et art” in Les Cahiers de Centrale Marseille Alumni pp 7 – 9. PDF.
Zivancevic N.: “Les Nano-Mondes de Vesna Victoria” pp 39-41. Onze Femmes: Artistes, Slaves et Nomades. PDF.
Mahe E.: “A workshop on an island: A bit of “foranity” in the conventional world of innovation! (Workshop report)” Decalab.
Schlachetzki S.M.: “Fusing Lab and Gallery: Device Art in Japan and International Nano Art” pp 100 – 115. Transcript. Source.
“David W. Bermant: The Audacious Art Collector” , ed. Susan Hopmans. pp 152,153. Sea Hill Press Inc. California. Source. PDF.
Vesna V.: “Art|Science Collaborations: Being in Between” in An envelope for arts, sciences, politics and us – mixing realities and mediating myths and methods, ed. Valerie Deifel, Bernd Kraftner, Widrich Virgil. pp 73–75. Springer Wein New York. Source. PDF.
Vesna V.: “Brainstorming – The Fourth State of Water Bodies and Minds” in The Fourth State of Water: From Micro to Macro (Curator) pp 9-19. Torun, Poland. Source.
Vesna V.: “Vibrations Matter: Collective Blue Morph Effect” in AI & Society, Vol. 27, Issue 2 pp 319–323. Springer-Verlag. Source. PDF.
Olynyk P., Vesna V.: “Mind and Body Shifting: From Networks to Nanosystems” in Nature, ed. Jeffery Kastner. pp 15, 54-55. Whitechapel Gallery, MIT Press. Source. PDF.
Lovejoy M., Paul C., Vesna V.: “Context Providers: Conditions of Meaning in Digital Arts (Mandarin translation)” in Context Providers: Conditions of Meaning in Digital Arts (Mandarin translation) Gold Wall Press, China.
Vesna V.: “Science Labs as Artist Studios / Laboaratoria naukowe jako pracownie artystow” in Towards the Third Culture: The Co-Existence of Art, Science, and Technology, Art + Science Meeting pp 15–21. LAŹNIA, Narodowe Centrum Kultury. Source. PDF.
“4th State Catalog” Source.
“Blue Morph” Source.
Lovejoy M., Paul C., Vesna V.: “Context Providers: Conditions of Meaning in Digital Arts” Intellect. Source.
živančević N.: “Les Nano-Mondes de Vesna Victoria” in Onze Femmes: Artistes, Slaves, et Nomades pp 38-41. Non Lieu / Piblikum, France. Source. PDF.
Lin J.: “Five UCLA faculty to help forge UC’s online future” UCLA Today. May 4. Source.
Lovejoy M., Paul C., Vesna V.: “Shifting Media Contexts: When Scientific Labs Become Art Studios” in Context Providers: Conditions of Meaning in Digital Arts pp 9-19. Intellect. Source. PDF.
“Entre art, numérique et nanotechnologies” Source.
Chepelyk O.: “Interaction of Architectural Spaces” in Art and New Technologies pp 200 – 212. Modern Art Research Institute of Ukraine. Source.
Rodewald M.: “Teens discover intersection of art and science” UCLA Today. July 12. Source.
Denegri D.: “Spaceship Earth (Statek kosmiczny Ziemia)” pp 82-85. Centrum Sztuki Współczesnejzero@wavefunction, Quantum Tunnel.
Wilson S.: “Art + Science Now: How scientific research and technological innovation are becoming key to 21st century aesthetics.” pp 86. Thames and Hudson. Source.
“Art in the Age of Nanotechnology” John Curtain Gallery, Australia. Source. PDF.
Ramakrishnan S., Vesna V.: “Metamorphosis of the Human Animal: Hox Zodiac” in Making Reality Really Real: Reflections on Art, Technology and Consciousness. Conference proceedings, ed. Roy Ascott, Gangvik Espen, Margarete Jahrmann. pp 195–199. TEKS. Source. PDF.
Gimzewski J., Vesna V.: “Blue Morph: Metaphor and Metamorphosis” in MM ’10: ACM Multimedia Conference Proceedings pp 1403-1404. MM ’10, Italy. Source.
Murray S.: “Digital Aesthetics: Two Handbooks” pp 112 – 115. College Art Association. Fall. Source.
““Infosthetics.” SIGGRAPH’09: The Information Aesthetics Panel(s)” Information Aesthetics. August 6. Source.
Vesna V.: “Database Aesthetics: Art in the Age of Information Overflow” Computing Reviews. October 26. PDF.
Shanken E.: “Art and Electronic Media” pp 156, 275. Phaidon Press. Source.
Vesna V.: “Toward a Third Culture: Being In Between” in Art and Electronic Media, ed. Shanken, Edward. pp 271. Phaidon Press. Source.
Tourney C.: “Atom and Eve” Nature Nanotechnology. January. PDF.
Jorgensen D.: “Vesna, Victoria (ed.) Database Aesthetics” Media International Australia.
Legget M.: “Database Aesthetics: Art in the Age of Information Overflow” in Database Aesthetics: Art in the Age of Information Overflow Leonardo journal book review. April. Source.
“BIOS 4. ARTE BIOTECNOLÓGICO Y AMBIENTAL” Centro Andaluz Contemporaneo. May 3 – September 7. Source.
“@rt Outsiders Échelles” Art Actuel. September – October.
Hromack S.: “Database Aesthetics: Art in the Age of Information Overflow.” Camerawork. Fall / Winter.
Hanson C.: “Database Aesthetics: Art in the Age of Information Overflow” Project MUSE. Winter.
Vesna V.: “NANO: A New World Poetics – “NANO: Poetica de um Mundo Novo”” pp 99-107. Museu de Art Barsileira, Sao Paulo, Brazil.. Source.
“Qualimetria FAAP – Nano: arte, ciência e technologia” pp 12-26. FAAP, Brazil.
Vesna V.: “Wenn Kunst und Natuwissenschaft einander begegnen” in Quantum Tunnel MKL.
Vesna V.: “Arts and Activism (Introduction)” in UCLA School of the Arts Catalog UCLA.
Vesna V.: “Databases are Us” in Cognition, Communication, and Interaction: Transdisciplinary Perspectives on Interactive Technology, ed. Satinder P. Gill. pp 517–525. Springer-Verlag. Source.
Kemp M.: “Heaven in the Grains of Sand: Nanoscientists and Tibetan monks unite to explore the mysteries of the mandala” NATURE. September 13.
Gimzewski J., Vesna V.: “Blue Morph” Enter 3.
Andreasson C.: “Schnabel, Strike, Helvetica.” Studio 360. December 7. Source.
“Blue Morph: Victoria Vesna + James Gimzewski” Art + Science Meeting. Source. PDF.
“Enter3: International Festival for Art, Science, and New Technologies” pp 62. CIANT, Czech.
“Independent Film Show 7th Edition” pp 28. e-m arts / fondazione morra, Italy.
Vesna V.: “Time and Space of Fluid Bodies” in Time and Space of Fluid Bodies A Minima (English/Spanish), Asturias eds. Spain.
“Database Aesthetics: Art in the Age of Information Overflow, Electronic Mediations Vol. 20” , ed. Victoria Vesna. University of Minnesota Press. Source.
Vesna V.: “Seeing the World in a Grain of Sand: The Database Aesthetics of Everything” in Database Aesthetics: Art in the Age of Information Overflow, Electronic Mediations Vol. 20, ed. Victoria Vesna. pp ix–xx, 3–38. University of Minnesota Press. Source.
Weinbren G.: “To Touch is to See: Nanomandala and Coitus Reservatus” in Millenium Film Journal No, 45/46 pp 122-127, 130. Millenium Film Journal, New York. Source.
Paul C.: “Waterbowls: Moon~Drop~Sound~Oil” in Code: Blue – Confluence of Currents pp 76-77. Beijing International New Media Arts Exhibition & Symposium, China. Source.
Popper F.: “Multimedia Online Works (Net Art)” in From Technological to Virtual Art pp 322 – 326. MIT Press. Source.
Murray S.: “Digital Aesthetics: Two Handbooks: Book Review of Christiane Paul, New Media in the White Cube and Beyond and Victoria Vesna” in Art Journal, Vol. 68, No. 3 (Fall 2009) pp 112-115. College Art Association. Source. PDF.
Paul C.: “Millennium Dialogue – Code:Blue” Third Beijing International New Media Arts Exhibitions and Symposium. June 10. PDF.
Weinbren G.: “To Touch is to See: Nanomandala and Coitus reservatus” Millenium Film journal. Fall.
Stermitz E.: “Cyberfem. Feminisms on the electronic landscape” in Cyberfem. Feminisms on the electronic landscape Rhizome. Oct – Jan. Source.
Scaravaggi S.: “Victoria Vesna’s Interactive Experience” digimag (e-magazine). Dec – Jan. Source.
Paul C.: ““Water Bowls: Moon Drop Sound Oil”. Feedback: Art Response To Instructions, Input, or its Environment” Laboral Foundation. Source. PDF.
“Second Natures” pp 34-42. UCLA. Source.
“Kreni | go” , ed. Vojislav Milin. pp 21. BELEF Center, Serbia.
Vesna V.: “Genetic Technologies and Animals (Special Issue Editor)” in AI & Society, Vol. 20, Issue 1, ed. Carol Gigliotti. pp 1–2. Springer-Verlag. Source. PDF.
Vesna V.: “Preface / Introduction to Media Literacy: Twenty-first Century Arts Education” in AI & Society, Vol. 20, Issue 4 pp 443. Springer-Verlag. Source.
Vesna V.: “Mel Chin–Provocative Eco-Art in Action” in Art Journal, Vol. 65, Issue 1 (Spring) pp 63–64. Art Journal. Source.
Vesna V., Gimzewski J.: “The Nanomeme Syndrome: Blurring of Fact and Fiction in the Construction of a New Science” in Engineering Nature: Art & Consciousness in the Post-biological Era, ed. Roy Ascott. pp 311–326. Intellect. Source. PDF.
“Monk’s Visit to Nott Memorial” Source.
“MonkCam 2005” Union College. Source.
“Nanomandala” Studio Stefania Miscetti Press Release. March. Source.
“BELEF “In the Sign of Mozart and Tesla”” seecult.org. June 29. Source.
“Women Beyond Borders: The Art of Building Community” pp 21, 74. Women Beyond Borders. Source.
Wands B.: “Art of the Digital Age” pp 110 – 111, 192 – 193. Thames & Hudson. Source.
Lovejoy M.: “Digital Currents: Art in the Electronic Age” pp 170 – 172. Routledge. Source.
Baumgartel T.: “Net.art 2.0” pp 91 – 96. Eesti Kunstiakadeemia 2006. Source.
Gimzewski J., Vesna V.: “NANO: An Exhibition of Scale and Senses” in Leonardo, Vol. 38, Issue 4 pp 301, 311. MIT Press, MA. Source. PDF.
De Souza e Silva A.: “Connecting the Quantum Dots and The Invisible Imagery | The Invisible Imagery: Museum Spaces, Hybrid reality and Nanotechnology.” in Nanoculture: Implications of the New Technoscience, ed. Katherine Hayles. pp 11 – 46. Intellect. Source.
Wald C.A.: “Working Boundaries in the Nano Exhibition” in Nanoculture: Implications of the New Technoscience, ed. Katherine Hayles. Intellect. Source.
Josh A.: “Role of architecture and technology in art exhibitions” Architectural Record.
Josh A.: “In Museums, No Stodginess on Display” Architectural Record. January. Source. PDF.
Vesna V: “At the Intersection of Art and Science: NANO” LACMA. January. Source. PDF.
“nano Exhibit Opens at LACMA; buckyballs Bounce in the Portal” UCLA Academic Technology Services. January. Source. PDF.
“Meeting of the Minds” – Story by Faye Hanson focusing on the future by Otis fashion students to be presented in nano” WWD | Women’s Wear Daily. January. Source.
“NanoMandala (Article)” Location One. Source.
Zamanek P.: “Full feature for the in-flight magazine” Southwest Airlines. February. PDF.
“NanoMandala at Nott Memorial” Union College. April 5. Source.
“Nanomandala Vesne Viktorije na izlozbi u rimu” Culture World. April 18. Source.
“NanoMandala (Press Release)” Location One. December 1. Source.
“The New York Times News Service distributed the article written by Stephen Lovgren for the National Geographic web site. It is distributed to their entire list of national and international papers, including Denver Post, Boston Globe, SF Chronicle, Seattle PI, and others” New York Times Syndicate. December 31.
“Crash and Flow: Seoul-Sinchon Art Festival Media Art Exhibition” Yonsei University, South Korea.
Greene R.: “Internet Art” pp 108. Thames & Hudson. Source.
Mileaf J.: “Inside Out Loud” , ed. Jane E. Neidhardt. pp 91-92. Mildred Lane Kemper Art Museum, Washington University in St. Louis. Source.
“AI & Society, Vol. 18, Issue 2” in AI & Society, Vol. 18, Issue 2 Springer-Verlag. PDF.
Vesna V.: “Time and Space of Fluid Bodies” in A Minima :: 6 pp 42-59. A Minima.
Vesna V.: “Future Echoes of Bucky” in Trimtab Newsletter pp 4. Buckminster Fuller Institute.
Vesna V.: “Intervals of Time and Space” in electronic book review Source. PDF.
Vesna V.: “Community of People with No Time: Collaboration Shifts” in First Person: New Media as Story, Performance, and Game, ed. Noah Wardrip-Fruin, Pat Harrigan. pp 249–261. MIT Press. Source.
Weintraub L.: “Choosing your Mission: Creating time for Busy People” in In the Making: Creative Options for Contemporary Art pp 284 – 293. Distributed Art Publishers, New York. Source.
Johnson R.: “A Quantum Leap: The brave, new ‘nano’ world is explored in a multidisciplinary exhibit at LACMA” Los Angeles Times. December 22. PDF.
Lovgren S.: “Can Art Make Nanotechnology Easier to Understand?” National Geographic News. December 23. PDF.
Roberts D.: “Exhibit mixes art, science to showcase small stuff” U-Daily News. December 31. PDF.
“The Wonderful World of … nano” Workplace Connection. November/December. Source. PDF.
“LACMALab presents nano: a Media Arts & Science Exhibition Making Nanoscience Visible, Tangible, and Experiential for Visitors of All Ages” LACMA: News Release. November. PDF.
Sheets H.M.: “Please Touch: Looking to attract new audiences and engage kids of all ages, museums are reinventing themselves in wonderfully creative ways” Town and Country. October. PDF.
Vontz A.: “In the Future, Every Molecule Will Have 15 Minutes of Fame” Los Angeles Times. August 31. PDF.
“Interactive Buckyballs Exhibit at WNEC” The WNEC Cutting-Edge E-Newsletter, Issue 4. June 16. PDF.
Lee C.: “The Art of Science” UCLA Magazine. Spring.
Wertheim M.: “Buckyballs and Screaming Cells—The amazing miniature world of UCLA chemist Jim Gimzewski” LA Weekly. April 4-10. PDF.
“Russian Article About NanoMandala” Source.
Karoub J.: “Artist and Scientist pass the bucky” pp 7. Small Times. March/April. PDF.
Felton M.J., Petkewich R.A.: “Scientists Create Bonds with Artists” pp 167-173. Analytical Chemistry. April 1. PDF.
Meiller R.: “Nighttime nanotech art installation at UW-Madison” University of Wisconsin, Madison news release. June 10. PDF.
Bolter J.D., Gromala D.: “Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency” pp 158. MIT Press, MA. Source.
Shohat E., Stam R.: “Multiculturalism, Postcoloniality, and Transnational Media” pp 307 – 312. Rutgers University Press. Source.
Paul C.: “Digital Art” pp 168-169. Thames & Hudson. Source.
Gonzalez J.: “The Feminism and Visual Culture Reader” , ed. Amelia Jones. pp 540-544. Routledge. Source.
Vesna V.: “From Bodies to Networks to Nanosystems and Back” Artmedia, Paris, France. Source. PDF.
Vesna V., Gimzewski J.: “The Nanomeme Syndrome” in Technoetic Arts Journal, Vol. 1, No. 1, ed. Roy Ascott. pp 7-24. Intellect, UK. Source. PDF.
Gimzewski J., Vesna V.: “The Nanomeme Syndrome: Blurring of fact & fiction in the construction of a new science” in Technoetic Arts pp 1, 7-24. PDF.
Hayles K.: “Flesh and Metal: Reconfiguring the Midbody in Virtual Environments” in Semiotic Flesh: Information & the Human Body, ed. P. Thrutle, R. Mitchell, Walter Chapin Simpson. pp 63 – 68. Walter Chapin Simpson Center for the Humanities, University of Washington. Source.
Hayles K.: “Flesh and Metal: Reconfiguring the Mindbody in virtual Environments” , ed. P.Thurtle and R. Mitchell, U. of Washington Press. pp 62-66. Semiotic flesh: Information & the Human Body. PDF.
““Artunion.” Arts.Tom.Com” Chinese Ezine.
Rackham M.: “BEAP: Interactions, Intersections” New Media Scan. September.
Martin S.: “Media Arts@Science: Towards a Collaborative Culture” UCLA Arts Journal. Source.
Quintero F.: “Digital Arts: The Evolution of A Discipline” UC TLtC News and Events. March.
Barreto R., Perissinoto P.: “Internet Art: Digital Culture” pp 91, 121. São Paulo : Paço das Artes, Brasil.
Wilson S.: “Information Arts” pp 151-153, 829. MIT Press, MA. Source.
“Reload: Rethinking Women & Cyberculture” , ed. Mary Flanagan, Austin Booth. pp 252 – 258. MIT Press, MA. Source.
Vesna V.: “Buckminster Fuller – INTRODUCTION: Pioneer & Visionary” in Pioneers and Pathbreakers Leonardo Online – OLATS. PDF.
Vesna V.: “From Bodies to Networks to Nanosystems and Back” in SoFA02: Western Australian Art No: 8 pp 12–17. Curtin University of Technology, Australia .
Juhasz A.: “Victoria Vesna” in Women of Vision Histories in Feminist Film and Video, ed. Alexandra Juhasz. pp 235 – 247. University of Minnesota Press. Source. PDF.
Altstatt R.: “Victoria Vesna Interview with Rosanne Altstatt” in Avatars and Others pp 38-45, 47. Edith Russ Site for Media Art. Oldenburg, Germany. Source.
Druckrey T., Weibel P.: “net_condition. Art and global media” pp 302-303. The MIT Press. PDF.
Dietz S.: “Words of Wisom: A Curator’s Vade Mecum on Contemporary Art – Curating New Media” pp 49-52. Independent Curators International.
Altstatt R.: “Avatars and Others” 01 Edith Russ Site for Media Art Oldenburg.
Himmelsbach S.: “Body Check” Ethik & Unterricht. February.
Spingarn-Koff J.: “telematic, exhibition, art world, data, interact, education” Rhizome Digest. February 12.
Bonetti D.: “Bay Area’s Art Scene Becoming Digitally Enhanced” San Francisco Chronicle. March 1. Source.
Helfland G.: “Telematic Connections: The Virtual Embrace’ Technology Wraps Its Conceptual Arms Around You” San Francisco Gate.com. March 1. Source.
Gonzalez M.: “Databodies, Genitals and Living Forever” Switch. May 15. Source.
Razumova I.: “Interview with Victoria Vesna: Datamining Bodies” Switch. May 15.
Kusahara M.: “What Happened to ‘Net Art’” pp 145. Intercommunication: A Journal Exploring the frontiers of art and technology. Summer.
Noort T.: “Publikation: The World Wolke” Bis Oldenburg. September.
“Streams als Art-Performance” Streaming Business Magazine. November 16.
Alstatt R.: “Avatare und Andere” Sonntags Journal Zeven. September 16.
“Handys benutzun” Nordwest- Zeitung. September 17.
Gardill I.: ““Das Handy wird zum Kunstobjekt: Ganz nah am Zeitgeschehen: Die Ausstellung Avatare und andere” im Edith- Russ-Haus”” Kultur Nordwest-Zeitung. September 18.
Gerwin M.: “Medienkunst verarbeitet Amerika-Tragodie” Taz Bremen. October 4.
Roberta B., Stefano C.: “Una exposicion analiza el uso del avatar y de la identidad en el ‘net art” CiberPaís. November 1. Source.
Meixner C.: “Avatare und Andere”-Medienkunst in Oldenburg” Frankfurter Rundschau Online. November 11.
“Avatars and Others” in Tema Celeste Nov/Dec.
Vesna V.: “AI Confini Della Realtà: Arte, Scienza e Tecnologia” , ed. Gioia Claudia. pp 164-169. ARCOS: Museo d’arte Contemporanea Sannio, Italy. Source.
“net_condition: Art and Global Media” , ed. Peter Weibel, Timothy Druckrey. pp 302-303. MIT Press, ZKM | Center for Art and Media Karlsruhe. Source.
Vesna V.: “Connecting Archives as Data-Bodies” in cast 01, netzspannung.org journal, ed. Monika Fleischmann, Wolfgang Strauss. pp 96–97. FhG-Insititut Media kommunikation (IMK) and the German Federal Ministry of Education and Research . Source. PDF.
Vesna V.: “Collaboration | This is not a pipe” in UCLArts: School of the Arts and Architecture Newsletter, Vol. 4, No. 2 PDF.
Vesna V.: “notime: Identity and Collaboration Shifts” in Siggraph 2001 Electronic Art and Animation Catalog pp 35–41. ACM Siggraph. Source. PDF.
Vesna V.: “Towards a Third Culture: Being in Between” in Leonardo, Vol. 34, No. 2, ed. Roger F Malina. pp 121–125. MIT Press. PDF.
Gonzales J.: “The Appended Subject: Race and Identity as Digital Assemblage” in Race in Cyberspace, ed. Kolko B., Nakamura L., Rodman G.. pp 8, 30, 36-37, 40-42. Routledge. Source. PDF.
Scheiwiller L.: “Net Art Arte e comunicazione su Internet” Media Connection. PDF.
“L.A. Freewaves 7th Celebration of Experimental Media” L.A. Freewaves.
“Interview by Sylvie Parent” in Editor Magazine électronique du CIAC, 11th edition. Daniele Perra. Datamining Bodies. Il sole 24 ore, Italy.
Prince P.D.: “Computer Art in the New Millenium” in Computer Art in the New Millenium IEEE Computer Graphics and Applications, Vol. 20, No. 1.. January/February.
Baker K.: “New Medium, New Messages?: ‘Net Art’ Symposium Raises More Questions Than It Answers” San Francisco Chronicle. February 21. Source.
“Arco Special: A Retrospective of Madrid’s International Contemporary Art Fair” pp 165. Amigos of ARCO Association, Spain. Source.
“Emergent Futures: Art, Interactivity and New Media” , ed. Angela Molina, Kepa Landa. pp 107. CaiiA-STAR, Spain.
Vesna V.: “Towards a Third Culture: Working in Between” in Leonardo: The International Society for the Arts, Sciences and Technology, Vol. 34, No. 2 pp 121-125. PDF.
Vesna V.: “Towards a Third Culture | Being in Between” in Art, Technology, Consciousness, ed. Roy Ascott. pp 7–12. Intellect, UK. Source. PDF.
Vesna V.: “Data Mining Bodies” in Vision.ruhr pp 114–117. Kunst Medien Interaktion Auf Der Zeche Zollern II/IV Dortmund. Source.
Vesna V.: “The 2YK project: Building a Community of People with No Time” in Emergent Futures: Art, Interactivity and New Media, ed. Ángela Molina, Kepa Landa. pp 39–46, 107. Institucio Alfons el Magnanim.
Vesna V.: “Tracing Bodies of Information Overflow” in Maska:The Body Caught in the Intestines of the Computer and Beyond: Women’s Strategies and/or Strategies by Women in Media, Art and Theory, ed. Marina Grzinic, Adele Eisenstein. pp 37–39, 75-77. Festival of Computer Arts, Budapest/New York/Cologne. PDF.
Vesna V.: “Da Fe-Mail a f-e-mail* e oltre: network cyberfemministi nel Web” in Arte a Parte: Donne artiste fra margini e centro , ed. Antonietta M. Trasforini. pp 171-177. FrancoAngeli. Source.
Baumgartel T.: “net.art Interview by Tilman Baumgartel” in net.art pp 102 – 105. Verlag für Moderne Kunst Nürnberg. Source.
Denegri D.: “Tela U Kiberprostoru (Bodies in Cyberspace)” in Pro Femina , ed. Veran Matić. pp 283-289. Intrafeng Group, Belgrade.
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Kac E.: “New Directions in Art” September.
“Women Beyond Borders” pp 45, 51. Akino Fuku Museum, Japan.
Mirzoeff N.: “An Introduction to Visual Culture” pp 112-113. Routledge. Source. PDF.
“n.paradoxa, Volume 3” , ed. Katy Deepwell. pp 92. KT Press, London, UK. Source.
Perra D.: “Tema Celeste, Arte Contemporanea” , ed. Simona Vendrame. pp 58-63, 122-124. Gabrius Multimedia S.p.A., Milano, Italy.
Vesna V., Nideffer R.: “Online Public Spaces: Multidisciplinary explorations in Multiuser Environments” in OPS: MEME, American Behavioral Sciences UCSB: Sage Publications. Source.
Vesna V.: “Database Aesthetics: Issues of Organization and Category in Art” in AI & Society: The Journal of Human-Centred and Machine Intelligence, ed. Karamjit Gill, David Smith, Janet Vaux. Springer. Source.
Vesna V.: “Terminal Deadline” in Terminals pp xi–xiii. Source.
Vesna V., Samaras C.: “Terminals” in Book/CD-ROM University of California: ICA. Source.
Spalter A.M.: “The Computer in the Visual Arts” Addison-Wesley.
Chriton G.: “Doubling Bodies: Interview with Victoria Vesna” New Media Notes. June.
“Graphis Web Design Now” , ed. Ken Coupland. pp 188-191, 216. Graphis US., Inc. New York, Graphis Press Corp. Zurich. Source.
Vesna V.: “Marketplace: from Agents and Avatars to the Information Personae” in Digital Creativity, Vol. 9, No. 3, ed. Zweilinger Swets. University of Wales College, Newport. Source. PDF.
Vesna V.: “Another Day in Paradise and Virtual Concrete: Preserved Palms, Concrete and Telepresence (or, Installation and Telepresence Works)” in Leonardo, Vol. 31, No. 1 pp 13–19. MIT Press. Source. PDF.
Vesna V., Snyder A.F.: “Education Automation on Spaceship Earth: Buckminster Fuller’s Vision—More Relevant than Ever” in Leonardo, Vol. 31, No. 4 pp 289–292. MIT Press. PDF.
“Bucky Beat – Buckminster Fuller: Illusive Mutant Artist…” in Artbyte, The Magazine of Digital Arts, Vol. 1, No. 3 pp 22–29. PDF.
Jain R.: “Live Art” in IEEE Multimedia issue April-June 1997 pp 1. IEEE Computer Society. Source.
Sichel B.M.: “Antilinear: Redefining Text with Technology” in Antilinear: Redefining Text with Technology Flash Art, Volume 30 No.193 Mar-Apr 1997 pp 71. Source. PDF.
Freyermuth G.S.: “Kunst der Korperlosen” in Spiegel Special pp 132-135.
Vesna V.: “Ceramic Gestures: A Conversation with Magdalene Odundo” in Ceramic Gestures pp 34. UCSB.
“Virtual Concrete” in Thresholds: viewing culture, Vol. 9, ed. William Stern. pp 77-82. UCSB. Source.
Vesna V.: “From Fe-mail to f-e-mail & Beyond” in Women Beyond Borders pp 53. Graz: Kunsverein W.A.S.. PDF.
Vesna V.: “Under Reconstruction: Architectures of Bodies INCorporated” in Veiled Histories, ed. Anna Novakov. pp 87–117. Critical Press. Source.
Cunningham M.: “The Art of Cyberspace”
Rajah N.: “Prosthetics for the Mind: Augmenting the Self with Microelectonics.”
Simon R.: “Nettime: New Media/ Victoria Vesna: Interview” Source.
Lunenfeld P.: “In Search of Telephone Opera: From Communications to Art”
“Clone Pary HQ at Linz” TNC network.
Kurtz A.G.: “Victoria Vesna at the San Francisco Art Institute” Artweek. April.
“CD-ROM Plays New View of Physicist’s Ideas.” 93106. April 14.
Jain R.: “Media Vision: Live Arts” IEEE Multimedia, Vol.4, No. 2. April/June.
““Universe on a Disk.” Cyberscope” pp 12. Newsweek. May 12.
“Byte Me” pp 129. New York Time Out. May 29 – June 5.
“Hawking’s Universe” Santa Barbara News Press. May 31.
Lillington K.: “State of the Art Technology?” Technology Ireland. June.
Huffmann K., Jahrmann M.: ““Bodies INC” review” Telepolis. July. Source.
O’Brian P.: “Sensing the Future Conference: Arthouse, Dublin” Summer.
“Afterimage” July/August.
Baumgaertel T.: ““Philosophical Bodies”: Interview with VV” Spiegel Online. September.
“Head Space” pp 155. WiReD. September.
Calcagno P.: “Tutti a tavola con gli apostoli” Corriere Della Serra. September 26.
“Meta-mondes | Metaverses” Institut National l’Audiovisuel, France.
“Women Beyond Borders” pp 9, 16, 32. Women Beyond Borders, Califormia.
Vesna V.: “INCorporated Avatars: Organizational Contradictions in Cyberspace” in Imagina Proceedings pp 24–36. Networked Arts, Monaco: INA. Source. PDF.
Vesna V.: “History of Art & Computing: Problems in Organisation of Logic and Memory” in VTEXT pp 11-15. Videotage/Videotape, Hong Kong. Source. PDF.
Vesna V.: “Avatars on the World Wide Web: Marketing the ‘Decent’” in Intelligent Agent (Fall Issue) pp 7-13. Hyperactive Media. PDF.
Vesna V.: “Avatars on the World Wide Web: Marketing the ‘Descent’” in Ars Electronica 1997 Proceedings pp 168-180. Fleshfactor: Informationsmaschine Mensch, Vienna: Springer. PDF.
Helfand G.: “Get Physical” in Get Physical The San Francisco Bay Guardian. February 19.
“Sictransitgloriamundi” in Victoria Vesna Interboro Press, NY.
Serena L.: “Women/Beyond Borders “Gets Wired”” in Expanding Circles, ed. Betty Ann Brown. pp 230-231. Midmarch Arts Press, NY . Source.
Vesna V., Nideffer R.: “BODIES INCORPORATED: Theoretical Appropriation for Somatic Intervention” in N/A Source. PDF.
Vesna V.: “The Wild West and the Frontier of Cyber Space” in Cyberspace and Web Sociology Source.
Serena L.: ““Women/Beyond Borders”” , ed. Betty Ann Brown. Expanding Circles.
Hellworth B.: “Artwork Fuses Concrete and Virtual Realty” Santa Barbara Newspress.
Crowder J.: “Is that all there is?” Santa Barbara News Press. January 19.
Walker M.: “Walk on the Wild Side” 93106. January 22.
Walker M.: “Art Eclectica” The Independent. February 1.
Freyermut G.S.: “Kunst der Korplossen” Speigel Special. February.
Ise C.: “Everywhere and Nowhere at Once: Out on the Web” Artweek. February.
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“UCSB Students Help Develop CD-ROM” Coastlines. Spring.
Crowder J.: “The End” Santa Barbara Newspress. April 12.
“CD-ROM Explores Cosmos” Santa Barbara Newspress. April 21.
“Bodies INCorporated” Intelligent Agent. May.
Baker K.: “Lost In the Cyberspace Translation” San Francisco Chronicle. July 15.
Crowder J.: “Speaking Figuratively” Santa Barbara Newspress. August 30.
“Ways to Resharpen the Cutting Edge” The Independent Film and Video. November.
“Connecting Bodies In space” Intelligent Agent. December.
Woodbridge S.B.: “Veiled History Conference” Public Art Review. Fall/Winter.
Spalter A.M.: “The Computer in the Visual Arts” pp 431-432, 459, . Addison Wesley, Boston. Source.
“Women Beyond Borders, Catalog 9” pp 13, 57. Extra Moenia.
Nash D.: “Artistic New Frontier” OC Register. March.
Barr M.: “ME Design Students Collaboration with Art Studio” Synergy. July.
Zivancic N.: “East Village / Victoria Vesna” Moment. Summer.
Nechvatal J.: “Making Babies with Bodies INC” Rhizome and Thing. September.
Woodard J.: “Following Form, from Classics to Computers” LA Times. September 5.
Crowder J.: “Speaking Figuratively” in Speaking Figuratively Santa Barbara News Press. September 30.
“Time Capsule: A Concise Encyclopedia by Women Artists” , ed. Robin Kahn. pp 524. Creative Time, SOS Int’l. Source.
“Absolut L.A. International Biennial Invitational” Smart Art Press. Source.
“Computer Graphics Annual Conference Series” pp 82. ACM Siggraph.
D’Agostino P., Tafler D., Vesna V.: “Cyberspace: Configurations of Space, Memory and Language in the Electronic Arts” in ISEA 94 (International Symposium on Electronic Art) Catalogue pp 90-91. University of Art and Design Helsinki UIAH. Source. PDF.
Atkins R.: “The World and I Go Online” Art in America. December.
“Moment 23/24” pp 26-29. Cicero, Belgrade.
“Paradise Has Found a Documentarian / Another Day in Paradise” in Természetesen Naturally pp 240-243, 248-249. Ernst Múzeum, Budapest . Source.
Collins D.: “Searching for Virtue in a Virtual Landscape” New Art Examiner.
“Another Day in Paradise at City’s Fine Arts” The Irvine World News. September.
“Adobe Photoshop Creative Techniques” pp 86. Macmillan Computer Pub. Source.
“Computer Graphics and Applications: Vol. 13, No.5” pp 6-7. IEEE Computer Society. Source.
Webster J.: “A Multiple-Monitor, Audio/Visual Monster” Computer Graphics World SIGGRAPH’92.
Malsh F.: “Parallel Arts” Kunstforum International. March.
Tisma A.: “Messengers of the New” Dnevnik. Novi Sad. May.
Clifton L.A.: “Cyber-Art International” Artweek. June.
“Siggraph Features Interactive Painting Net” Computer Pictures. July.
Prince P.: “Interacting with Machine Culture” IEEE Multimedia. Computer Graphics. September.
Curtis C.: “Paradise Found a Documentarian” Los Angeles Times. November.
Tomic B.: “Sometimes a Cigar is Only a Cigar (Freud)” Moment. December.
“Sometimes a Cigar is Only a Cigar (Freud)” Umbrella. June.
Tomic B.: “Yugoslavian Video” Balkanmedia. March/April.
Vesna V.: “Sometimes a Cigar is Only a Cigar (Freud)” in Sometimes a Cigar is Only a Cigar (Freud), ed. Newman A., Phillipovich P.. International Book Fair. Belgrade, Yugoslavia: Distributed by the Dia Foundation, Printed Matter. Franklin Furnace. New York City, NY, (Mar/Apr ’93). Focus in the American Book Review “Visual Literacy.”. Source.
B. T.: “The Yugoslav Video Scene 1980s” in Expansion & Transformation: The 2rd Fukui International Video Biennale pp 105, 143.
Cubrilo J.: “Fertility Symbols” Student. November.
Deckel D.: “Before the Wall Street Crash” Israel Shelanu. January.
Schneemann C.: “Catalogue, Sictransitgloriamundi” October.
Romano A.: “Aperto ’86/ Arte Contemporanea” pp June. Venice Biennale. June.
“International Voices in New York” Artspeak. June.
“XLII Esposizione Internazionale D’Arte La Biennale Di Venezia” , ed. Carlo Pirovano. pp 362-393. Electra Editrice. Source.
Markus Z.: “Survey of the 80’s” Catalogue. March.
Markus Z.: “Politika, Predah i Zamor” Politika. May.
Storms W.: “Neue Kunst in Europa, Der Jungsten Generation” March/April.