Publications: Book Chapters
FILTER:
.jpg){kind=spacer}
2021
Albu, Cristina. “Planetary Re-Enchantment: Human-Animal Entanglements in Victoria Vesna’s Octopus Brainstorming”. In Comparative Media Arts Journal, Simon Fraser University, August. Source PDF
2020
Kluszczynski, Ryszard, W. Ed. “Looking at the World through the Eyes of the Other? Art an Anthropocentric Ecology”. in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Lodz University press, pgs. 7-27 Source PDF
Valerio Gonzales, Maria Antonia, ”Animal Encounters” In Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Kluszczynski, Ryszard, W. Ed. Lodz University press, pgs. 28-65 PDF
Farago, Claire, “Artists Compelling Action on Climate Degradation. How to think like Victoria Vesna and Leonardo da Vinci.” In Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Kluszczynski, Ryszard, W. Ed. Lodz University press, pgs. 66-105 PDF
Skladanek, Marcin. “Data Visualization in Victoria Vesna’s Creative Practice”. In Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Kluszczynski, Ryszard, W. Ed. Lodz University press, pgs. 106-145 PDF
Kluszczynski, Ryszard, W. Ed. “Art and the Challenges of the Anthropocene”. in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Lodz University press, pgs. 238-279 PDF
Levy, Ellen K., Nature: “New Context, New Art by Women”. In Woman’s Art Journal. Fall / Winter. pg.10 PDF
2019
Schnugg, Claudia, Creating ArtScience Collaboration: Bringing Value to Organizations. 126, 156
Connor, Michael ed., The Art Happens Here: Net Art Anthology. 1.15-1.17
2018
Crowther, Paul, Digital Art, Aesthetic Creation: The Birth of a Medium. (pp. 164– 168, 169), Routledge Source
Schnugg, Claudia A.: „Blockchain and Bodies© Incorporated: Media Arts Screening Economic Innovation 2.0″ in: Cuonz, D., Loren, S. and Metelmann J. (Eds) Screening Economies: Money Matters and the Ethics of Representation. Bielefeld: transcript, pp. 31-46 Source
2014
Søndergaard, Morten. "BIO MEDIA ART: Aesthetic Paradigms in the Wet Zone." Leonardo Electronic Almanac.
2013
Weibel, P., Fruk, L. Molecular Aesthetics. ZKM, MIT Press. (Pp 184-87).
Harrison, Dew (ed.) Digital Media and Technologies for Virtual Artistic Spaces. (pp 198-200)
Thomas, Paul. NanoArt: The Immateriality of Art. (Pp 4, 12, 19, 25, 70). Chicago Press.
2012
Schlachetzki, Sarah M. Fusing Lab and Gallery: Device Art in Japan and International Nano Art. Transcipt. Verlag, Bielefeld. (p. 100-115)
2010
Wilson, Stephen. Art + Science Now: How scientific research and technological innovation are becoming key to 21st century aesthetics. Thames and Hudson. (p. 86).
Chepelyk, Oksana. Interaction of Architectural Spaces. Art and New Technologies. Modern Art Research Institute of Ukraine. (pp. 200 – 212).
2009
Shanken, Edward. Art and Electronic Media. Phaidon Press. (pp. 156, 275).
2005
Wands, Bruce. Art of the Digital Age. Thames & Hudson, 2006, 2005. (pp. 110 – 111, 192 – 193).
Popper, Frank. From Technological to Virtual Art. MIT Press, 2005, 2004. (pp. 322 – 326).
Lovejoy, Margot. Digital Currents: Art in the Electronic Age. Routledge. (pp. 170 – 172).
Baumgartel, Tilman. Net.art 2.0. Eesti Kunstiakadeemia 2006. (pp. 91 – 96).
2004
Greene, Rachel. Internet Art. Thames & Hudson. June. (p. 108)
2003
Weintraub, Linda. "Choosing your Mission: Creating time for Busy People." In the Making: Creative Options for Contemporary Art. Art Publishers. (pp. 284 – 293).
Hayles, Katherine. ed. “Connecting the Quantum Dots: Nanotechscience and Culture.”; and De Souza e Silva, Adriana, “The Invisible Imagery: Museum Spaces, Hybrid reality and Nanotechnology.” Nanoculture: Implications of the New Technoscience. (pp. 11 – 46). PDF
Wald, Carol Ann, “Working Boundaries in the Nano Exhibition”; all essays in Nanoculture: Implications of the New Technoscience.
Shohat, Ella and Robert Stam, eds. Multiculturalism, Postcoloniality, and Transnational Media. Rutgers University Press. (pp. 307 – 312).
Paul, Christiane. Digital Art. Thames & Hudson, (pp. 168-169).
Jones, Amelia. The Feminism and Visual Culture Reader. Routledge. (pp. 540-544).
2002
Perissinoto, Paula e Barreto, Ricardo. Internet Art: Digital Culture. São Paulo : Paço das Artes, 2002, Brasil. (pp. 91 -121).
Wilson, Stephen. Information Arts. The MIT Press, 2002. (pp. 151-153, 829).
Flanagan, Mary. "Reload: Rethinking Women & Cyberculture." Interview by Tara MacPherson. MIT Press. (pp. 252 – 258).
Hayles, Katherine. “Flesh and Metal: Reconfiguring the Midbody in Virtual Environments”. In Semiotic Flesh: Information & the Human Body. Thrutle, P, Mitchell, R., Walter Chapin Simpson. (pp. 63 - 68)
