Publications: Book Chapters
FILTER:

2022

Corwin, W. From Forces to Forms. Brooklyn Rail. April issue. Source

2021

Albu, Cristina. “Planetary Re-Enchantment: Human-Animal Entanglements in Victoria Vesna’s Octopus Brainstorming”. In Comparative Media Arts Journal, Simon Fraser University, August. Source PDF


Gsollpointner, K. “Empathie und das Digitale”, (pp 22-24) in Springerin, Vienna.

2020

Kluszczynski, Ryszard, W. Ed. “Looking at the World through the Eyes of the Other? Art an Anthropocentric Ecology”. in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Lodz University press, pgs. 7-27 Source PDF


Valerio Gonzales, Maria Antonia, ”Animal Encounters” In Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Kluszczynski, Ryszard, W. Ed. Lodz University press, pgs. 28-65 PDF


Farago, Claire, “Artists Compelling Action on Climate Degradation. How to think like Victoria Vesna and Leonardo da Vinci.” In Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Kluszczynski, Ryszard, W. Ed. Lodz University press, pgs. 66-105 PDF


Skladanek, Marcin. “Data Visualization in Victoria Vesna’s Creative Practice”. In Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Kluszczynski, Ryszard, W. Ed. Lodz University press, pgs. 106-145 PDF


Kluszczynski, Ryszard, W. Ed. “Art and the Challenges of the Anthropocene”. in Towards a Non-Anthropocentric Ecology: VICTORIA VESNA and Art in the World of Anthropocene, Lodz University press, pgs. 238-279 PDF


Levy, Ellen K., Nature: “New Context, New Art by Women”. In Woman’s Art Journal. Fall / Winter. pg.10 PDF


2019

Schnugg, Claudia, Creating ArtScience Collaboration: Bringing Value to Organizations. 126, 156


Connor, Michael ed., The Art Happens Here: Net Art Anthology. 1.15-1.17

2018

Crowther, Paul, Digital Art, Aesthetic Creation: The Birth of a Medium. (pp. 164– 168, 169), Routledge Source


Schnugg, Claudia A.: „Blockchain and Bodies© Incorporated: Media Arts Screening Economic Innovation 2.0″ in: Cuonz, D., Loren, S. and Metelmann J. (Eds) Screening Economies: Money Matters and the Ethics of Representation. Bielefeld: transcript, pp. 31-46 Source

2014

Søndergaard, Morten. "BIO MEDIA ART: Aesthetic Paradigms in the Wet Zone." Leonardo Electronic Almanac.

2013

Weibel, P., Fruk, L. Molecular Aesthetics. ZKM, MIT Press. (Pp 184-87).


Harrison, Dew (ed.) Digital Media and Technologies for Virtual Artistic Spaces. (pp 198-200)

Thomas, Paul. NanoArt: The Immateriality of Art. (Pp 4, 12, 19, 25, 70). Chicago Press.

2012

Schlachetzki, Sarah M. Fusing Lab and Gallery: Device Art in Japan and International Nano Art. Transcipt. Verlag, Bielefeld. (p. 100-115)

2010

Wilson, Stephen. Art + Science Now: How scientific research and technological innovation are becoming key to 21st century aesthetics. Thames and Hudson. (p. 86).



Chepelyk, Oksana. Interaction of Architectural Spaces. Art and New Technologies. Modern Art Research Institute of Ukraine. (pp. 200 – 212).

2009

Shanken, Edward. Art and Electronic Media. Phaidon Press. (pp. 156, 275).

2005

Wands, Bruce. Art of the Digital Age. Thames & Hudson, 2006, 2005. (pp. 110 – 111, 192 – 193).



Popper, Frank. From Technological to Virtual Art. MIT Press, 2005, 2004. (pp. 322 – 326).

Lovejoy, Margot. Digital Currents: Art in the Electronic Age. Routledge. (pp. 170 – 172).

Baumgartel, Tilman. Net.art 2.0. Eesti Kunstiakadeemia 2006. (pp. 91 – 96).

2004

Greene, Rachel. Internet Art. Thames & Hudson. June. (p. 108)

2003

Weintraub, Linda. "Choosing your Mission: Creating time for Busy People." In the Making: Creative Options for Contemporary Art. Art Publishers. (pp. 284 – 293).



Hayles, Katherine. ed. “Connecting the Quantum Dots: Nanotechscience and Culture.”; and De Souza e Silva, Adriana, “The Invisible Imagery: Museum Spaces, Hybrid reality and Nanotechnology.” Nanoculture: Implications of the New Technoscience. (pp. 11 – 46). PDF

Wald, Carol Ann, “Working Boundaries in the Nano Exhibition”; all essays in Nanoculture: Implications of the New Technoscience.

Shohat, Ella and Robert Stam, eds. Multiculturalism, Postcoloniality, and Transnational Media. Rutgers University Press. (pp. 307 – 312).

Paul, Christiane. Digital Art. Thames & Hudson, (pp. 168-169).

Jones, Amelia. The Feminism and Visual Culture Reader. Routledge. (pp. 540-544).

2002

Perissinoto, Paula e Barreto, Ricardo. Internet Art: Digital Culture. São Paulo : Paço das Artes, 2002, Brasil. (pp. 91 -121).



Wilson, Stephen. Information Arts. The MIT Press, 2002. (pp. 151-153, 829).

Flanagan, Mary. "Reload: Rethinking Women & Cyberculture." Interview by Tara MacPherson. MIT Press. (pp. 252 – 258).

Hayles, Katherine. “Flesh and Metal: Reconfiguring the Midbody in Virtual Environments”. In Semiotic Flesh: Information & the Human Body. Thrutle, P, Mitchell, R., Walter Chapin Simpson. (pp. 63 - 68)

2001

Juhasz, Alexandra. "Women of Vision Histories in Feminist Film and Video." University of Minnesota Press. (pp. 235 – 247).

1999

Baumgartel, Tilman. “net.art.” Interview by Tilman Baumgartel. Verlag für Moderne Kunst Nürnberg. (pp. 102 – 105).