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	<title>Database Aesthetics</title>
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	<link>http://victoriavesna.com/dataesthetics</link>
	<description>Just another WordPress weblog</description>
	<pubDate>Sun, 22 Jun 2008 20:24:47 +0000</pubDate>
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			<item>
		<title>flickr graph</title>
		<link>http://victoriavesna.com/dataesthetics/?p=62</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=62#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:24:06 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=62</guid>
		<description><![CDATA[
Flickr Graph is an application that explores the social relationships inside flickr.com. It makes use of the classic attraction-repulsion algorithm for graphs. Start exploring your contacts by entering your flickr username or the email address you used to register there.
Link
]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/flickrgraph_img.jpg" title="Flickr Graph"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/flickrgraph_img.jpg" alt="Flickr Graph" height="186" width="345" /></a></p>
<p>Flickr Graph is an application that explores the social relationships inside <a href="http://flickr.com/">flickr.com</a>. It makes use of the classic attraction-repulsion algorithm for graphs. Start exploring your contacts by entering your flickr username or the email address you used to register there.<br />
<a href="http://www.marumushi.com/apps/flickrgraph/" title="Flickr Graph" target="_blank">Link</a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=62</wfw:commentRss>
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		<item>
		<title>Political Friendster</title>
		<link>http://victoriavesna.com/dataesthetics/?p=60</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=60#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:22:40 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Online]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=60</guid>
		<description><![CDATA[

Political Friendster needs you! Contribute people and connections to build the site up. Political Friendster is nothing without you. You can contribute anonymously if you like, or register 					  for added functionality!
Political Friendster is a parody of the social network Friendster. 				      It allows a visualization of the connections [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/political.jpg" title="Political Friendster"></a></p>
<p style="text-align: center"><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/political.jpg" title="Political Friendster"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/political.jpg" alt="Political Friendster" height="22" width="110" /></a></p>
<p><strong>Political Friendster needs you!</strong> Contribute people and connections to build the site up. Political Friendster is nothing without you. You can contribute anonymously if you like, or <a href="javascript:document.registerForm.submit();" class="toollink">register</a> 					  for added functionality!</p>
<p>Political Friendster is a parody of the social network Friendster. 				      It allows a visualization of the connections between players 				      in the political game. This site has absolutely no affiliation 				      with the real <a href="http://www.friendster.com/" class="toollink">Friendster</a>.</p>
<p><a href="http://www.politicalfriendster.com/" title="Political Friendster" target="_blank"> Link</a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=60</wfw:commentRss>
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		<item>
		<title>The Dumpster</title>
		<link>http://victoriavesna.com/dataesthetics/?p=57</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=57#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:20:32 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Online]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=57</guid>
		<description><![CDATA[
The Dumpster is an  interactive online visualization that attempts to depict a slice through the romantic  lives of American teenagers. Using real postings extracted from millions of online  blogs, visitors to the project can surf through tens of thousands of specific  romantic relationships in which one person has &#8220;dumped&#8221; another. The [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/dumpster_press_image.jpg" title="Dumpster"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/dumpster_press_image.jpg" alt="Dumpster" height="281" width="357" /></a></p>
<p><em>The Dumpster</em> is an  interactive online visualization that attempts to depict a slice through the romantic  lives of American teenagers. Using real postings extracted from millions of online  blogs, visitors to the project can surf through tens of thousands of specific  romantic relationships in which one person has &#8220;dumped&#8221; another. The project&#8217;s  graphical tools reveal the astonishing similarities, unique differences, and underlying  patterns of these failed relationships, providing both peculiarly analytic and  sympathetically intimate perspectives onto the diversity of global romantic pain.</p>
<p><a href="http://artport.whitney.org/commissions/thedumpster/" title="Dumpster" target="_blank">Link</a></p>
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			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=57</wfw:commentRss>
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		<title>Judith Donath - Chat Circles</title>
		<link>http://victoriavesna.com/dataesthetics/?p=55</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=55#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:16:26 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=55</guid>
		<description><![CDATA[
Although current online chat environments provide new
opportunities for communication, they are quite constrained
in their ability to convey many important pieces of social
information, ranging from the number of participants in a
conversation to the subtle nuances of expression that enrich
face to face speech. In this paper we present Chat Circles,
an abstract graphical interface for synchronous conversation.
Here, presence [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/http___alumnimediamit.jpg" title="Chat Circles"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/http___alumnimediamit.jpg" alt="Chat Circles" height="368" width="357" /></a></p>
<p>Although current online chat environments provide new<br />
opportunities for communication, they are quite constrained<br />
in their ability to convey many important pieces of social<br />
information, ranging from the number of participants in a<br />
conversation to the subtle nuances of expression that enrich<br />
face to face speech. In this paper we present Chat Circles,<br />
an abstract graphical interface for synchronous conversation.<br />
Here, presence and activity are made manifest by<br />
changes in color and form, proximity-based filtering intuitively<br />
breaks large groups into conversational clusters, and<br />
the archives of a conversation are made visible through an<br />
integrated history interface. Our goal in this work is to create<br />
a richer environment for online discussions.<br />
<a href="http://alumni.media.mit.edu/~fviegas/chat_circles.pdf" title="Chat Circles" target="_blank">Link</a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=55</wfw:commentRss>
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		<item>
		<title>Swipe</title>
		<link>http://victoriavesna.com/dataesthetics/?p=54</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=54#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:12:11 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Online]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=54</guid>
		<description><![CDATA[
SWIPE addresses the gathering of data from drivers&#8217; licenses, a form of data-collection that businesses are practicing in the United States. Bars and convenience stores were the first to utilize license scanners in the name of age and ID verification. These businesses, however, admit they reap huge benefits from this practice beyond catching underage drinkers [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/swipe.gif" title="Swipe"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/swipe.gif" alt="Swipe" height="183" width="356" /></a></p>
<p>SWIPE addresses the gathering of data from drivers&#8217; licenses, a form of data-collection that businesses are practicing in the United States. Bars and convenience stores were the first to utilize license scanners in the name of age and ID verification. These businesses, however, admit they reap huge benefits from this practice beyond catching underage drinkers and smokers with fake IDs. With one swipe—that often occurs without notification or consent by the cardholder—a business acquires data that can be used to build a valuable consumer database free of charge. Post 9/11, other businesses, like hospitals and airports, are installing license readers in the name of security. And still other businesses are joining the rush to scan realizing the information contained on drivers&#8217; licenses is a potential gold mine. Detailed database records, of course, also benefit law enforcement officers who can now demand this information without judicial review in large part due to the USA Patriot Act.</p>
<p><a href="http://www.we-swipe.us/" title="Swipe" target="_blank">Link</a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=54</wfw:commentRss>
		</item>
		<item>
		<title>They Rule</title>
		<link>http://victoriavesna.com/dataesthetics/?p=52</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=52#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:10:20 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Online]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=52</guid>
		<description><![CDATA[
They Rule aims to provide a glimpse of some of the relationships of the US ruling class. It takes as its focus the boards of some of the most powerful U.S. companies, which share many of the same directors. Some individuals sit on 5, 6 or 7 of the top 500 companies. It allows users [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/theyrule.jpg" title="They Rule"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/theyrule.jpg" alt="They Rule" height="251" width="336" /></a></p>
<p>They Rule aims to provide a glimpse of some of the relationships of the US ruling class. It takes as its focus the boards of some of the most powerful U.S. companies, which share many of the same directors. Some individuals sit on 5, 6 or 7 of the top 500 companies. It allows users to browse through these interlocking directories and run searches on the boards and companies. A user can save a map of connections complete with their annotations and email links to these maps to others. They Rule is a starting point for research about these powerful individuals and corporations.</p>
<p><a href="http://www.theyrule.net/" title="They Rule" target="_blank">Link</a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=52</wfw:commentRss>
		</item>
		<item>
		<title>C5 Corporation</title>
		<link>http://victoriavesna.com/dataesthetics/?p=50</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=50#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:07:16 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=50</guid>
		<description><![CDATA[
C5 Corporation specializes in cultural production informed by the blurred boundaries of research, art, and business practice. Focus is on the development of tactical strategies involving information visualization, databases, and distributed networks.
Previous projects include Radio Controlled Surveillance Probes RCSP, 16 Sessions, YDSTYDS (You Don&#8217;t See That You Don&#8217;t See), 1:1, and SoftSub. Full documentation is [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/c5.jpg" title="C5"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/c5.jpg" alt="C5" height="248" width="354" /></a></p>
<p><span class="homeTitle">C5 Corporation</span> specializes in cultural production informed by the blurred boundaries of research, art, and business practice. Focus is on the development of tactical strategies involving information visualization, databases, and distributed networks.</p>
<p>Previous projects include Radio Controlled Surveillance Probes RCSP, 16 Sessions, YDSTYDS (You Don&#8217;t See That You Don&#8217;t See), 1:1, and SoftSub. Full documentation is available at <a href="http://www.c5corp.com/" target="_blank">www.c5corp.com</a></p>
<p>C5 members:<br />
Joel Slayton<br />
Steve Durie<br />
Geri Wittig<br />
Bruce Gardner<br />
Jack Toolin<br />
Brett Stalbaum<br />
Amul Goswamy<br />
Matt Mays</p>
<p><a href="http://artport.whitney.org/gatepages/june05.shtml" title="C5" target="_blank"> Link </a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=50</wfw:commentRss>
		</item>
		<item>
		<title>D-tower</title>
		<link>http://victoriavesna.com/dataesthetics/?p=48</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=48#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:04:29 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=48</guid>
		<description><![CDATA[
D-tower is an art piece, commissioned by the city of Doetinchem in the Netherlands, that maps the emotions of the inhabitants of Doetinchem. D-tower measures HAPPINESS, LOVE, FEAR and HATE daily using different questions.
Link
]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/dtower.jpg" title="D-Tower"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/dtower.jpg" alt="D-Tower" height="210" width="160" /></a></p>
<p>D-tower is an art piece, commissioned by the city of Doetinchem in the Netherlands, that maps the emotions of the inhabitants of Doetinchem. D-tower measures HAPPINESS, LOVE, FEAR and HATE daily using different questions.</p>
<p><a href="http://www.d-toren.nl/site/" title="D-Tower" target="_blank">Link</a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=48</wfw:commentRss>
		</item>
		<item>
		<title>Maphub</title>
		<link>http://victoriavesna.com/dataesthetics/?p=46</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=46#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:02:14 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=46</guid>
		<description><![CDATA[
MapHub proposes to research the introduction of a geographic and historical data sharing application in an urban landscape. MapHub proposes to be a peoples&#8217; map,  a map of an urban geography determined not by traditional methodology but instead by the members who participate and contribute everyday in the experience of urban life. MapHub proposes to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/maphub.jpg" title="Maphub"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/maphub.jpg" alt="Maphub" height="253" width="334" /></a></p>
<p>MapHub proposes to research the introduction of a geographic and historical data sharing application in an urban landscape. MapHub proposes to be a peoples&#8217; map,  a map of an urban geography determined not by traditional methodology but instead by the members who participate and contribute everyday in the experience of urban life. MapHub proposes to be both a tool and a system that gives users pen and paper to record their unique and situated perspectives and then deliver that documentation to others. Combining culture, history, narrative, and caution, MapHub might tell the tales that remain untold.</p>
<p><a href="http://www.maphub.com/" title="Maphub" target="_blank">Link</a></p>
]]></content:encoded>
			<wfw:commentRss>http://victoriavesna.com/dataesthetics/?feed=rss2&amp;p=46</wfw:commentRss>
		</item>
		<item>
		<title>Marc Lafia + Fang-Yu Lin - The Battle of Algiers</title>
		<link>http://victoriavesna.com/dataesthetics/?p=43</link>
		<comments>http://victoriavesna.com/dataesthetics/?p=43#comments</comments>
		<pubDate>Sun, 22 Jun 2008 19:58:27 +0000</pubDate>
		<dc:creator>Victoria Vesna</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://victoriavesna.com/dataesthetics/?p=43</guid>
		<description><![CDATA[
The Battle of Algiers recomposes scenes from the 1965 film of the same name by Italian director Gillo Pontecorvo. The original film is a reenactment of the Algerian nationalist struggle leading to independence from France in 1962. The success of the actual battle for independence has been attributed to the nationalists&#8217; organization: a pyramidal structure [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/battleofalgiers.jpg" title="Battle Of Algiers"><img src="http://victoriavesna.com/dataesthetics/wp-content/uploads/2008/06/battleofalgiers.jpg" alt="Battle Of Algiers" height="238" width="349" /></a></p>
<p><em>The Battle of Algiers</em> recomposes scenes from the 1965 film of the same name by Italian director Gillo Pontecorvo. The original film is a reenactment of the Algerian nationalist struggle leading to independence from France in 1962. The success of the actual battle for independence has been attributed to the nationalists&#8217; organization: a pyramidal structure of self-organized cells. Lafia and Lin recomposed the film along a cell-based structure, in which French Authority and the Algerian Nationalist cells are represented by stills from the film and move according to different rule sets. When cells of different camps intersect, they trigger video cells displaying each side&#8217;s tactics (as depicted in the film) according to the rules of the system.</p>
<p><a href="http://artport.whitney.org/commissions/battleofalgiers/BattleofAlgiers.shtml" title="Battle Of Algiers" target="_blank"> Link</a></p>
]]></content:encoded>
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