I was prepared to do an actual workshop that would last half a day but was told that it would be 90 minutes and no more. This was a challenge so I decided to buy the food and do one round of the audience serving. Amazingly, we had 12 people and 3 were snakes, 3 rabbits and 3 pigs (incuding yours truly:). This was a good test how to do a fast session — it was TASTING not lunch or dinner! People certainly got the idea and many were asking how we may plan the real dinner sometime in the future.
More photos from the workshop
While getting ready to fly to Zürich, I I sent an email to my dear friend Jill Scott that I will be in her city soon. As it happened, she was organizing the LASER with Boris and roped me in 🙂
I am getting ready for a keynote talk for the “Showroom Z +: collaborations between art and science” conference at the Zurich University for the Arts.
Here is the short abstract of the talk: Brain Storming: Molecules, Butterflies, Animals and Birds
Using the metaphor of the diamond reflecting different sides of the same idea, problem or environment, I will show how long term collaborations with nanoscientist James Gimzewski, neuroscientists Siddharth Ramakrishnan and Mark Cohen and evolutionary biologist Charles Taylor influence our perception and experience of the world around us. The talk will highlight why it is important for scientists to work with artists.
Flyer (download pdf)
Victoria Vesna (University of California LA) on Fri 11/04/2016 visited the showroom Z + N ° 6 «collaborations».
9:30: Lecture “Brain Storming: Molecules, Butterflies, Animals and Birds» — Lecture Hall 1, Level 3
13:30 : Workshop “Performing the Self Animal / Ingesting Cultural Hybridity: Hox Zodiac Dinner» space 6.K02
I will be attending and giving a short presentation at the LASERZürich — same day as I land! Looks like a great program — Complexity – from particle physics to musical interfaces —
Date: Tuesday, November 1, 2016, 18.00,
Hardturmstrasse 169, CH-8005 Zurich.
Dinner is included.
From 18.00 to 20.00: Alexander Penn (Physicist and Researcher, ETH Zurich), Martin Pohl (Experimental Physicist, University of Geneva) and David Rosenboom (Composer-Performer, California Institute of the Arts). The discussion will be moderated by Boris Magrini. An introduction to LASER UCLA will also be presented by Victoria Vesna (Artist and Researcher, UCLA).
It was exhilarating to have the Octopus Brain Storm EEG working! After many different iterations that were mostly imagining how it could work, the art science team brain waves coming together created magic! Collaborator, neuroscientist Mark Cohen, and the art sci collecyive made it happen. We performed this at the opening of the new UCLA Luskin conference center for the very first time and it never failed. The sound, the EEG, the octopus crowns all worked. Octopus brainStorming was first performed live first by Anna Dumitiru and Alex May who happened to be here from the UK and this was followed by a second performance was by Patricia Olynyk and Samantha from Mark’s lab. The voice recording by jazz artist Kenton Chen was by solicited by Mark C. All came together magically. Read here the science behind this work!
Because I was a jury member for the Interactive Arts +, they asked me to moderate the winners. More info
Mathias Jud (CH) and Christoph Wachter (CH)
Winners of the Golden Nica of 2016 Prix Ars Electronica in the Interactive Art + category. Project: Can you hear me?
Frank Kolkmann (NL)
Award of Distinction of 2016 Prix Ars Electronica 2016 in the Interactive Art + category. Project: OpenSurgery
Victroria Vesna (US)
Professor at Design|Media Arts UCLA and jury member of the 2016 Prix Ars Electronica
My collaborations are very much related to what I learned from being in a band ages ago. Most of the time I am working with a group taking on different roles and see myself as the lead singer. I compose the songs and think of ways to create environments that amplify the experience for the audience who I want to completely immerse as a performer. BIRD SONG DIAMOND at the Large Space in Tsukuba was a whole different level — so many people were involved that it felt more like I was a conductor and it was a truly magnificent experience. Looking back, from the point when Chuck approached me to participate in his research on Mapping the Acoustic Network of Birds to five years later working with an amazing team from so many disciplines — I learned so much. Most of all, I understand the importance of LISTENING to our environment — from all different perspectives, with all our senses and extending out to the animal world.